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Dans l'Angleterre des années 1920, Virginia Woolf travaille à son nouveau roman Mrs. Dalloway. Dans l'Amérique de l'après Seconde Guerre mondiale, Laura Brown, en pleine lecture du roman de Woolf, organise l'anniversaire de son mari. Au seuil du 21ème siècle, à New York, Clarissa Vaughan prépare une réception en l'honneur de son ami et ancien amant Richard, qui n'est autre que le fils de Laura.
Synopsis and detailsSessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
Sessions for The Hours (Metropolitan Opera)
53 cinemas are showing this show in France
Renée Fleming (Clarissa Vaughan), Kelli O’Hara (Laura Brown), Joyce DiDonato (Virginia Woolf)
Distribution
Yannick Nézet-Séguin (Conductor); Renée Fleming (Clarissa Vaughan), Kelli O’Hara (Laura Brown), Joyce DiDonato (Virginia Woolf), Sean Panikkar (Leonard Woolf), William Burden (Louis), Kyle Ketelsen (Richard), Brandon Cedel (Dan Brown)
The world-premiere staging of Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. Phelim McDermott, who recently created the Met’s acclaimed production of Philip Glass’s Akhnaten, directs this compelling drama, and Yannick Nézet-Séguin takes the podium to conduct Puts’s powerful score.
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Dans l'Angleterre des années 1920, Virginia Woolf travaille à son nouveau roman Mrs. Dalloway. Dans l'Amérique de l'après Seconde Guerre mondiale, Laura Brown, en pleine lecture du roman de Woolf, organise l'anniversaire de son mari. Au seuil du 21ème siècle, à New York, Clarissa Vaughan prépare une réception en l'honneur de son ami et ancien amant Richard, qui n'est autre que le fils de Laura.
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